Blue Jay Scaricare Film
Blue Jay (I) (2016) was directed by Alex Lehmann. It stars Sarah Paulson as Amanda and Mark Duplass as Jim. (Duplass also wrote the script.)Amanda and Jim meet in the small town in which they both grew up. Amanda has moved on, and is now married and has a successful career. Jim is stuck in a dead-end job with no future. We learn that they had been lovers in high school but, obviously, had taken very separate paths since then.Some of the chemistry is still there, but, clearly, the damage to their relationship is irreparable. The plot of the film is what happens after they meet.Both Paulson and Duplass are excellent actors, and Lehmann is a brilliant director. The cinematography is outstanding--stills of the outdoor scenes could be framed and hung in the Eastman Museum of Photography.Blue Jay has a solid IMDb rating of 7.3. I thought it was much better than that, and rated it 9.
Blue Jay scaricare film
"Blue Jay" delivers a master class in acting thanks to Sarah Paulson and Mark DuPlass, who play one-time sweethearts who reunite accidentally in their home town. What follows is a painfully sweet and sad story about two people processing the regret they feel about giving up on something that might have been right, but who must move forward with the lives they have.Much of the ground covered in this film has been covered before, but so what? After all, there are only so many stories and themes out there for artists to explore. What matters are the particulars brought to any one telling, and that's where "Blue Jay" shines. Its improvisational, loosey-goosey vibe feels just right, and makes us feel like we're privileged insiders in this couple's story. Paulson and DuPlass don't miss a beat, and the final scene is a tour de force for both of them.I wasn't ready for this movie to end when it did, not because the ending felt misplaced, but because I wasn't ready to be away from these people. That's pretty high praise.Grade: A
If you thought Dallas Buyers Club, Interstellar, or True Detective was already the pinnacle of what Mathew McConaughey could do, wait until you see this film! Created by writer-director Jeff Nichols and set in the American South, Mud is a beautiful tale of love, loss, and personal growth. Two children, Ellis (Tye Sheridan) and Neckbone (Jacob Lofland), come across the elusive Mud (who is played by McConaughey), a man on the run wanted for murder. Initially scared of his mysterious character, the kids end up wanting to help and protect him from his those pursuing him. Ultimately a story of love, the film deals with a very human crisis seen through the eyes of children, drawing from American adventure tales and the humidity of the South. Mud is exciting, uneasy, sad, and quite beautiful. All at once.
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Alex Honnold is a professional adventure rock climber whose audacious free solo ascents of America's biggest cliffs have made him one of the most recognized and followed climbers in the world. A gifted but hard-working athlete, he is known as much for his humble, self-effacing attitude as he is for the dizzyingly tall cliffs he has climbed without a rope to protect him if he falls. Honnold has been profiled by "60 Minutes" and The New York Times, been featured on the cover of National Geographic, appeared in international television commercials and starred in numerous adventure films, including the Emmy-nominated "Alone on the Wall."
Award-winning filmmaker Elizabeth Chai Vasarhelyi is the director and producer of FREE SOLO, from National Geographic Documentary Films. Co-directed with Jimmy Chin, the film offers an intimate, unflinching portrait of rock climber Alex Honnold, as he prepares for and then achieves his lifelong dream: to climb the face of the world's most famous rock ... without a rope.
Vasarhelyi's films as a director include "Meru" (Oscars Shortlist 2016; Sundance Audience Award 2015); "Incorruptible" (Truer Than Fiction Independent Spirit Award 2016); "Youssou N'Dour: I Bring What I Love" (Oscilloscope, 2009), which premiered at the Telluride and Toronto Film Festivals; "A Normal Life" (Tribeca Film Festival, Best Documentary 2003); and "Touba" (SXSW, Special Jury Prize Best Cinematography 2013). Vasarhelyi has directed a New York Times Op Doc, an episode for Netflix's nonfiction design series "Abstract" and two episodes for ESPN's new nonfiction series "Enhanced." She has received grants from the Sundance Institute, the Ford Foundation, the Rockefeller Brothers Fund, Bertha Britdoc, the William and Mary Greve Foundation and the National Endowment of the Arts. She is a member of the DGA as well as AMPAS. She holds a B.A. in comparative literature from Princeton University and lives in New York City.
Consistently over the past 20 years, he has led or participated in cutting-edge climbing and ski mountaineering expeditions to all seven continents and made the first and only American ski descent from the summit of Mount Everest. Chin is also a filmmaker and National Geographic photographer. He has worked with many of the greatest explorers, adventurers and athletes of our time, documenting their exploits in the most challenging conditions and locations in the world. He has garnered numerous awards shooting on assignment for publications, including The New York Times Magazine, Vanity Fair and Outside Magazine, and has directed commercial work for a wide range of clients, including Apple, Chase, Pirelli and The North Face. His 2015 documentary "Meru," which was also co-directed by Vasarhelyi, won the Audience Award at Sundance and was nominated for best documentary by the DGA and PGA. "Meru" was also shortlisted for an Oscar.
Evan Hayes is the Head of Production & Development at the Emmy award-wining production company ACE Content, where he is also a Partner. Hayes developed and produced FREE SOLO alongside co-directors Elizabeth Chai Vasarhelyi and Jimmy Chin. During the production of FREE SOLO, he served as President of Production at Parkes+MacDonald/Image Nation where he supervised all aspects of production, finance and creative development in both film & television. Hayes also oversaw Parkes+MacDonald's discretionary development fund as well as strategic partnerships with Image Nation Abu Dhabi, Universal Television and Studio Canal, among others. During his tenure at Parkes+MacDonald the company produced and/or financed such films as James Ponsoldt's "The Circle" starring Tom Hanks, Emma Watson, and John Boyega; Davis Guggenheim's "He Named Me Malala" for Fox Searchlight; and "Rings" for Paramount Pictures.
Prior to joining Parkes+MacDonald, Hayes served as President of Production at Story Mining & Supply Co. where he oversaw the Starz original series "Outlander" created by Ron Moore; the upcoming Fox Searchlight film "The Fence," written by Dennis Lehane and George Pelecanos and to be directed by Peter Nicks; and "The Yellow Birds" directed by Alexandre Moors and starring Alden Ehrenreich and Tye Sheridan. Hayes also spent eleven years at Working Title Films, where he first met Chin, as a producer on "Everest."
It was "He Named Me Malala" that caught the eye of directors Elizabeth Chai Vasarhelyi and Jimmy Chin, who reached out to Dill to produce FREE SOLO. A non-climber with a well-known fear of heights, Dill decidedly came quickly on board. She was on the ground from day one overseeing every aspect of production for over two years of often logistically and emotionally challenging filmmaking.
The Wachowskis pitched the script to Warner Bros. who were initially skeptical of its philosophical musings and tricky SFX for the time. They then decided to bring on board underground comic book artists Steve Skroce and Geof Darrow to storyboard the entire film, shot-by-shot. Warners were impressed and the rest, as they say, is history.
The origins of this spec screenplay are just as creepy as the film. As Reddick recounts, he was given the idea by a real-life story of a woman whose life was saved by her mom who warned her not to take a flight that wound up crashing. Reddick then wrote the script as an X-Files spec but was advised by a friend to reshape it into a feature.
This script was born purely out of budgetary restrictions as writers Whannell and Wan deliberately wanted to write a horror film as cheaply as possible. One that they could finance themselves. Inspired by low-budget movies such as Pi and The Blair Witch Project, they decided on the concept of two actors, one room, and one dead body. Easily one of the best screenplays to read for horror writers.
Actor background .feature film. . need. Me for feature film. Episodic. .or work actor related contact me #414-737-6180. Verdugomarceloalejandro2280@Gmail.comLike to work with you. And or post me some scripts.
THANK YOU SO MUCH! I was looking for a PDF of the script for The Others and found your page. Reading the titles of the scripts you have culled here made my heart sing with the love of cinema that started my long journey into the film biz. Recently I have been pessimistic and disheartened about the lack of quality films coming out these days. But looking at these titles made me feel totally invigorated and optimistic.
Great resource, but sadly no musical genre section, *sniff. If anyone has the script for the musical film CHICAGO (not the stage musical), then I would be eternally grateful if you could please forward! Email: email@example.com